Step onto the dark-worn footpath. The Thames
weeps slowly into London, then sweeps back,

Monsters

Betty Martin

 

In the moonlight, the pinecones glowed white against the patchwork of the forest floor. Their seeds had long ago sought refuge beneath the ground. It was going to snow, a thick muffling snow, the first heavy snow of the season. It was the last chance for collecting pinecones before they, too, would become hidden.

Liturgy of Next Door

John Linstrom

 

I remember when everything mystical 
was connected. The dark repeating tuh-thump

Imprint

Sara Jeanine Smith

 

We return
to the clay that formed us
stamped with a skitter of tracks,

 

From the Anthology

Gianfranco Pagnucci— from the 1971 issue and current work

Carolyn Osborn— from the 1970 issue and current work

RecalledInADifferentLightCover.jpg

Volume XLV

Artwork by Julie Hamilton

"August Glory" - Vera Dickerson, acrylic on canvas, 30" x 40"